Entries tagged with “David Armano”.


Well, it’s been an exciting and busy summer.  I’m talking to lots of agencies lately who are hearing the phones starting to ring again–which is good news for everybody.  That’s partly why it’s been nearly a month since a new Ad Industry Innovators series, everybody’s busy, including me.  I’m a little over two weeks from finishing up the first Hitch search–with a few other interesting potentials on the horizon so stay tuned for exciting news!

Robson_BW

Today’s Ad Industry Innovator is a shout out to the Emerald City with a Seattle agency called Creature.  New Business Director, Barton Bodell described Creature as their clients’ wild card agency.  The folks clients go to when they don’t want same old same old.  I thought that was a great description, so I’m going with it.

I interviewed Robson Grieve, who is Creature’s Managing Director.  He came to the agency after being a Creature client con Corbis.  ( 5 pts for reading that correctly out loud.)

1. What was the aha moment when you realized “our company needs to be doing things differently than we have been”?
The big “aha” moment for Creature happened back in Amsterdam, when Matt and Jim (co-creative directors) were talking about starting an agency. After working in a couple of the biggest and best agencies in the US (Wieden & Kennedy and Goodby Silverstein), they went to Europe and saw a different way of doing things. This old world+new world experience led the guys to the simple philosophy that “the best media space you can buy is in someone’s mind.” That idea really defines how we look at the changing relationship between consumers and brands, and it has shaped how we do our work on a day-to-day basis. The evolution from a “broadcast” model where advertisers were telling people what to think, to more of a cooperative model where we are starting a conversation with people and incorporating them in to the brand development process.
The truth is, however, that we are having “aha” moments all the time and we look at our model as a work in progress. We are constantly studying our capabilities and looking for ways to make Creature more relevant to current and future clients. Every year we seem to undertake one or two big changes, and we are constantly challenging the status quo and updating our business model. Essentially, we look at the search for “aha” moments as an every day part of the job.
2. What books are on your nightstand or great blogs on your Google reader?
I almost never read about advertising or business, because I find most business popular books to be a little too orderly in their analysis. There are a few notable exceptions, of course, but in general I try to find interesting/thought provoking books rather than books about business. I’m working on a pretty scary book right now – it’s called “Global Catastrophes and Trends.” It is a comprehensive look at the risks we face in the next 50 years by a university professor named Vaclav Smil. Smil has written a lot about energy and the environment, and has a very data driven perspective on projecting the future of the world. Before that, I read “The Black Swan: The impact of the Highly Improbable,” which was a really inspiring book that basically reinforced my belief that it is more important to be open to new things than it is to be expert at pattern recognition.
In terms of blogs, I read Mark Cuban’s blogmaverick.com a lot because he is such a firebrand, and has the ability to separate the hype from reality in new media. For social media stuff I read Logic+Emotion (darmano.typepad.com/). He has a nice theory-based approach to explaining social structures online. I am also a bit of an economic news junky, and my jumping off point there is a blog called “calculated risk” http://www.calculatedriskblog.com/ which has some interesting articles, and a wealth of links to top econ authors.
3. Give me an example of marketing you think is brilliant and why.
Michael Jackson. Look at how popular he is all of a sudden. Tough way to do it, but you have to give the guy credit for his commitment to the brand.
Seriously, this is a really difficult question to answer because some of the most examples that people use as great “marketing companies” aren’t marketing companies at all – they just make great products that people love. I would say that I have been pretty impressed with Fed Ex and how they have incorporated golf in to their brand. They created a great event with the PGA (The Fed Ex Cup), and they have succeeded in making the connection between golf and fed ex very natural through their advertising.
4. We’ve all read that the pitch / RFP process is broken.  Many agencies aren’t even interested in competing in pitches.  Do you see an alternative to this process?
I think it is convenient to complain about the RFP process. Is it fun to put a bunch of resources in to a high risk endeavor, with disappointment the most statistically likely outcome? Of course not, but I don’t see how the industry could come together and invent a method for pitching could be set up that would solve all the problems. Competitive bidding is a part of almost every industry’s procurement process, so agencies aren’t alone in being disappointed because they didn’t get a piece of business. Watch “Glengarry Glen Ross.” Life isn’t fair.
The thing agencies need to decide is how much they are willing to give in this process. This is an individual and situational decision. For example, at one extreme, some clients are demanding ownership of all ideas created for the pitch, and agencies just need to decide if they are willing to go that far. In some cases, the answer will be yes, in some cases it will be no.
There have been some crazy pitches the last few months (the famous “twitterfp” and Zappos are on people’s minds) that have people buzzing, and I would say that if they agencies don’t like the process, they should sit out. Or better yet, if agencies don’t like the process they should work with the client to shape the right process.
5. What does the agency of the future look like?
It is interesting to try to predict what the agency of the future looks like, because we are likely to be mostly wrong no matter what we predict. I think it is safe to say that it is likely we will be more similar to strategy consultants like Bain or McKinsey than we will be to old-line Madison Avenue agencies. I also think it is safe to say that we are going to need to be “cross trained” at every level, because the world isn’t going to be neatly organized by media like it has been in the past.
I do think that a lot of the speculation around ownership of ideas that has gone on is a little misleading. Big brands don’t need to share risk with agencies, so the expectation that they share rewards in a significant way is probably unfounded. Pay-for-performance is coming in some way, but I think it is going to end up being more of a cost cutting measure by corporations than it will be a chance for agencies to grow their piece of the pie.
6. What do marketers need that agencies are not giving them?
Marketers need agencies to solve problems – not just make ads. Too often agencies decide to make ads, even when they know that won’t solve the underlying problem. Our clients need us to be ready and willing to look at each engagement as a chance to solve an important problem – sometimes that will be through ads, sometimes it will be through something entirely unexpected.
7. Who do you admire and why?
I would say that I admire my business partners, Matt and Jim. They have had a lot of fortitude and foresight as entrepreneurs, and I am fortunate to get to work with them on a day-to-day basis.
In the agency business, I admire the guys at Goodby Silverstien. They have managed to reinvent themselves over and over, and that is no small feat in any industry.
I look at Tiger Woods as a role model from a competitive perspective. He has such great focus, and usually finds a way to be win even when he isn’t at his best.
8. Please include intro talking points about your company as referenced above.
About Creature
Creature is a Seattle-based independent advertising agency with a reputationfor operating beyond traditional thinking and reinterpreting advertising based on the idea-centric philosophy that the best media space you can buy is in someone’s mind. Since its inception in 2002, the agency has developed unique campaigns that invite audiences to experience a brand’s story in multiple connected ways. Creating a mix of films, theatrical productions, cups on cars, imaginary political movements, viral Web ideas, TV spots, print ads and other tactics, Creature has produced award-winning work for some of the world’s biggest brands. Current clients include brands such as Pacifico Beer, JanSport, Microsoft, and adidas to name a few. For more information, visit www.creatureseattle.com
Somehow this got caught in the “spam” folder – sorry.
The name is actually an old Canadian name (like the street in Vancouver).
I’m the Managing Director here, and have been here now about 3 years. Prior to joining Creature, I was actually a client of the agency when I was at the digital photography company Corbis, where I spent about 5 years in a variety of marketing and business development roles. My history is primarily in the technology and media industries.
Look forward to seeing the blog. Let me know if there is anything else I can do.
Thanks.
Robson

1. What was the aha moment when you realized “our company needs to be doing things differently than we have been”?

The big “aha” moment for Creature happened back in Amsterdam, when Matt and Jim (co-creative directors) were talking about starting an agency. After working in a couple of the biggest and best agencies in the US (Wieden & Kennedy and Goodby Silverstein), they went to Europe and saw a different way of doing things. This old world+new world experience led the guys to the simple philosophy that “the best media space you can buy is in someone’s mind.” That idea really defines how we look at the changing relationship between consumers and brands, and it has shaped how we do our work on a day-to-day basis. The evolution from a “broadcast” model where advertisers were telling people what to think, to more of a cooperative model where we are starting a conversation with people and incorporating them in to the brand development process.

The truth is, however, that we are having “aha” moments all the time and we look at our model as a work in progress. We are constantly studying our capabilities and looking for ways to make Creature more relevant to current and future clients. Every year we seem to undertake one or two big changes, and we are constantly challenging the status quo and updating our business model. Essentially, we look at the search for “aha” moments as an every day part of the job.

2. What books are on your nightstand or great blogs on your Google reader?

I almost never read about advertising or business, because I find most business popular books to be a little too orderly in their analysis.  There are a few notable exceptions, of course, but in general I try to find interesting/thought provoking books rather than books about business.  I’m working on a pretty scary book right now – it’s called “Global Catastrophes and Trends.”  It is a comprehensive look at the risks we face in the next 50 years by a university professor named Vaclav Smil.  Smil has written a lot about energy and the environment, and has a very data driven perspective on projecting the future of the world.  Before that, I read “The Black Swan: The impact of the Highly Improbable,” which was a really inspiring book that basically reinforced my belief that it is more important to be open to new things than it is to be expert at pattern recognition.

In terms of blogs, I read Mark Cuban’s blogmaverick.com a lot because he is such a firebrand, and has the ability to separate the hype from reality in new media.  For social media stuff I read Logic+Emotion.  He has a nice theory-based approach to explaining social structures online.  I am also a bit of an economic news junky, and my jumping off point there is a blog called “calculated risk” which has some interesting articles, and a wealth of links to top econ authors.

3. Give me an example of marketing you think is brilliant and why.

Michael Jackson. Look at how popular he is all of a sudden. Tough way to do it, but you have to give the guy credit for his commitment to the brand.

Seriously, this is a really difficult question to answer because some of the most examples that people use as great “marketing companies” aren’t marketing companies at all – they just make great products that people love. I would say that I have been pretty impressed with Fed Ex and how they have incorporated golf in to their brand. They created a great event with the PGA (The Fed Ex Cup), and they have succeeded in making the connection between golf and fed ex very natural through their advertising.

4. We’ve all read that the pitch / RFP process is broken.  Many agencies aren’t even interested in competing in pitches.  Do you see an alternative to this process?

I think it is convenient to complain about the RFP process. Is it fun to put a bunch of resources in to a high risk endeavor, with disappointment the most statistically likely outcome? Of course not, but I don’t see how the industry could come together and invent a method for pitching could be set up that would solve all the problems. Competitive bidding is a part of almost every industry’s procurement process, so agencies aren’t alone in being disappointed because they didn’t get a piece of business. Watch “Glengarry Glen Ross.” Life isn’t fair.

The thing agencies need to decide is how much they are willing to give in this process. This is an individual and situational decision. For example, at one extreme, some clients are demanding ownership of all ideas created for the pitch, and agencies just need to decide if they are willing to go that far. In some cases, the answer will be yes, in some cases it will be no.

There have been some crazy pitches the last few months (the famous “twitterfp” and Zappos are on people’s minds) that have people buzzing, and I would say that if they agencies don’t like the process, they should sit out. Or better yet, if agencies don’t like the process they should work with the client to shape the right process.

5. What does the agency of the future look like?

It is interesting to try to predict what the agency of the future looks like, because we are likely to be mostly wrong no matter what we predict. I think it is safe to say that it is likely we will be more similar to strategy consultants like Bain or McKinsey than we will be to old-line Madison Avenue agencies. I also think it is safe to say that we are going to need to be “cross trained” at every level, because the world isn’t going to be neatly organized by media like it has been in the past.

I do think that a lot of the speculation around ownership of ideas that has gone on is a little misleading. Big brands don’t need to share risk with agencies, so the expectation that they share rewards in a significant way is probably unfounded. Pay-for-performance is coming in some way, but I think it is going to end up being more of a cost cutting measure by corporations than it will be a chance for agencies to grow their piece of the pie.

6. What do marketers need that agencies are not giving them?

Marketers need agencies to solve problems – not just make ads. Too often agencies decide to make ads, even when they know that won’t solve the underlying problem. Our clients need us to be ready and willing to look at each engagement as a chance to solve an important problem – sometimes that will be through ads, sometimes it will be through something entirely unexpected.

7. Who do you admire and why?

I would say that I admire my business partners, Matt and Jim. They have had a lot of fortitude and foresight as entrepreneurs, and I am fortunate to get to work with them on a day-to-day basis.

In the agency business, I admire the guys at Goodby Silverstien. They have managed to reinvent themselves over and over, and that is no small feat in any industry.

I look at Tiger Woods as a role model from a competitive perspective. He has such great focus, and usually finds a way to be win even when he isn’t at his best.

#####

RebeccaIt’s local week again here on the Ad Industry Innovators series and even better than that, we’ve finally got a woman to highlight!  (It’s about time, the testosterone was getting a little heavy.)  Rebecca Armstrong is the Managing Director of Portland,OR based NORTH.

Portland’s a great town to run an agency in–just ask Weiden & Kennedy.  Portland’s the home of Pink Martini and the only place I know of where you can you get a doughnut shaped like genitalia with bacon on it, savor cheesy crepe goodness and wash it all down with a host of local brews.  Besides, Portland ad people are a cheeky bunch and just plain fun:  check out the Rosey Awards.

I learned about NORTH when I read that they won the Deschutes beer pitch. (If you’re on the East coast or out of the US, Deschutes is one of the largest micro breweries in the Northwest.  They’re  the ultimate David & Goliath story.  Besides my local micro, Boundary Bay, their IPA is a winner and one of the first I grab.

When I asked Rebecca to describe NORTH, she put it this way:

NORTH is a brand agency and creative collective, an expeditionary force of thinkers and makers forging authentic bonds between brands and people. Rooted firmly in the independent culture of Portland, Oregon, under the leadership of agency veterans from Arnold Worldwide, Cole & Weber, Ogilvy and 180 Amsterdam, NORTH’s single goal is to make clients famous for the right reasons in this socially-conscious, media-agnostic world.

I’ll drink to that.

What was the aha moment when you realized “our company needs to be doing things differently than we have been”?

There was no “eureka” moment as such. Evolution is part of the way we do business. We constantly challenge what we do as a company – the result, I think, of bringing together a diverse team of people who are intensely creative and entrepreneurial. Many of them have actually run their own ventures; i.e., they’ve been clients too.

What books are on your nightstand or great blogs on your Google reader?

I should probably list some worthy tomes on marketing theory, but the truth is my nightstand pile includes:

Facades: Edith, Osbert and Sacheverell Sitwell by John Pearson (I’m a big fan of English eccentrics)

Drink, Play, F@#k, by Andrew Gotlieb (a laddish riposte to Elizabeth’s Gilbert’s Eat, Pray, Love)

Life Class by Pat Barker (another brilliant novel centering on World War 1)

As for the blogroll, I tend to seek out those blogs that combine really good thinking and really good writing.  I’m currently enjoying:

2 is the new 1: http://fishfood.typepad.com/2isthenew1/

Signal vs. Noise: http://www.37signals.com/svn/

Logic+Emotion:http://darmano.typepad.com/logic_emotion/

Design Thinking: http://designthinking.ideo.com

Give me an example of marketing you think is brilliant and why.

This was brilliant: (http://www.nytimes.com/2009/03/25/opinion/25desantis.html?scp=1&sq=dear%20aig&st=cse) The guy managed to compose a beautiful essay on leadership, give his personal history, AND get his resume on the front page of the NYT for free.  He would have been “the new guy who used to work for AIG” at his next job, but not now.

More conventionally, I’m really enjoying the coffee wars (McDonalds vs. Starbucks.) Both companies have long enjoyed rock star marketing status for right product, right packaging, right distribution and right promotion and there’s always been a place for them both.  So it’s most interesting to watch them go head to head with their fancy coffee drink offerings.

We’ve all read that the pitch / RFP process is broken.  Many agencies aren’t even interested in competing in pitches.  Do you see an alternative to this process?

I’m not sure that the pitch/RFP process is fully broken – but it has been horribly abused by clients looking to get free answers from an artificial process, and agencies willing to give it all up for nothing.  That said, at NORTH we already implement and have better results with the alternative by identifying those brands with whom we want to work (they tend to be progressive, authentic and aspire to do good in the world) and then building relationships with them. Our recent Deschutes Brewery win is a good example.  We started talking to them months ago and, when the time was right for them to make a change, we were automatically in consideration. Similarly, we love Keen so we took an idea to them and they were very willing to listen.

What does the agency of the future look like?

Like powerful brands, the agency of the future will need a mission, a point of view that they want to see in the world, and then they’ll have to live it.  At NORTH, we believe in thinking and making.  It may sound simple, but we believe strongly in the power of the creative process and respect what happens when you actually take an idea and bring it to life in the world. NORTH is not a factory. Manufacturing leads to predictable, repeatable results.  Craft, on the other hand, leads to the opportunity to work with what you observe rather that merely operating on something you think you already know. Of course there’s some risk, but the reward is infinitely greater and much more meaningful. And that is critically important when you are trying to forge authentic bonds between brands and consumers.

What do marketers need that agencies are not giving them?

I see a lot of agencies selling clients on one-dimensional, weird or puerile communications ideas, that don’t reflect the complexities of a brand and its nuanced relationship with its customers. Take Snacklish for example (from Snickers.) My followers on Twitter (@rebeccamary) have heard me rail at length (well at 140 characters) about how condescending and, frankly, dumb that idea is. What marketers aren’t getting are comprehensive, nuanced, cross-platform ideas that respect the intelligence of the consumer.

Who do you admire and why?

Elizabeth 1. Boy, did she understand the power of symbolism and legend (Virgin? Yeah, right….) Also I have a massive crush on Barack Obama.

This was a good article so it’s here in its entirety, with thanks to Mike Carlton for writing it and DavidArmano for bring it to my attention.

Everything comes back around.  Seems, in so many ways, the industry has lost its way.  Or did we just stop listening to those who knew better?

Mike’s model for an agency Adhocracy is well thought out.  I agree with most everything he’s saying except:

Agencies [change] the behaviors of their client’s customers and prospects in the marketplace.  And those behavioral changes are driven by advertising and other forms of market communications that agencies create and implement.”

I don’t think agencies change as much as influence consumers today, and in an era of consumer control, that’s probably even the wrong tag.

Nitpicking aside, read on.

 

Is Your Agency an Adhocracy?
By Mike Carlton        

Clearly, the General Motors model worked great in the 20th Century. And just as clearly it doesn’t look so good in the 21st. 
Adhocracies are messy, but they work.

My First Client

I became an agency account executive in the early 1960s. My first client was a small trade association. It primarily served the automotive industry. Its leading – or one might say dominant – member was General Motors.

Now in those days that was a good thing. General Motors was one of the largest, most successful corporations in the world. It was also a giant advertiser. And was the epitome of what a company should be. Their organization was widely studied and analyzed. Business schools celebrated the way GM was run. So did the business press. It was a model that worked. One for others to emulate. GM was the essence of successful Americana.

In fact, at that time GM’s CEO was widely quoted (not quite accurately) as saying “What’s good for General Motors is good for America.”

Heady Stuff

While this account was not very large, working directly with the people from GM was a heady experience. Particularly for a brand new account guy like me. It was a great opportunity. I wanted to learn everything I could from them.

I was like a sponge. I hung on all their principles and practices. And, they were very good to me. On top of that, unlike lesser clients, meetings weren’t held in their offices or ours. We met in tony places like the Broadmoor or the Homestead. Entertainment was lavish. Nothing was too good.

Working with them was exhilarating, glamorous fun. And they paid well, too.

Intramurals

One of the GM principles I learned almost immediately was the importance they placed on competition within their company. It appeared that each GM unit was an independent profit center. And essentially each was in competition with all the others. This was an alien concept to me. Kind of like sibling rivalry on steroids.

And it seemed to me that the GM people I worked with spent about two thirds of their time competing with other parts of GM and only about one third of their time focused on the outside market.

This struck me as an odd expenditure of effort. But, GM was colossally successful and almost revered. While I was still very wet behind the ears.

Also, during my time in the military I had learned how giant organizations function. So GM’s bureaucratic processes appeared in keeping with their global scope.

Our Agency

Against the GM framework, our agency was tiny. We were quite simple. We had very little structure. Not much in the way of departments. And no profit centers. Nor subsidiaries. No accountants, only a bookkeeper. And certainly no lawyers.

It had a very family type of feel. Everyone did what was needed, when it was needed. And if we were successful, we all shared in the rewards.

It was a micro model that worked. Our strategies and creative solutions were effective. We made money. We grew. And we had fun

Emulation

As time went by the agency blossomed. To manage that growth we decided it needed a bit more structure. And of course the GM model came to mind. Remember, at that time it was the world standard for an effective organization.

The big agency holding companies were being built the GM way, too. They had multiple silos. And multiple profit centers. In essence, each unit competed with every other one. So did their people. It was the way things were done.

So, we set up departments. Then profit centers. And even subsidiaries. A bunch of silos. We had loads of internal transactions. We frequently bought and sold services from each other. Our small simple agency became not only larger but a whole lot more complex.

We had all kinds of numbers to tell us what was happening. And we needed a comprehensive computer system to keep track of it all. We had lengthy management discussions about arcane issues like overhead allocation formulas and intracompany transfer rates. Very businesslike.

The Dark Side

On the surface it all looked great. We were viewed as a very buttoned-up agency. Clients somehow were attracted to that. We were applauded within the industry for “doing it right.”

Yet we had some quiet, nagging concerns.

Our work was not any better. Or more effective. Our people were not any happier. And we were not as profitable as we had been. Things were OK. But somehow not quite as much fun. Things didn’t feel as right as they used to.

An Epiphany

One morning one of my partners walked into my office with a big smile on his face. Without saying a thing, he wrote this word on my board. ADHOCRACY.

I had no idea of what it meant. He then told me that he had discovered it while reading a book by Alvin Toffler. He said that adhocracy, according to academics, is an organization which is the opposite of a bureaucracy. One that cuts across bureaucratic lines to capture opportunities, solve problems, and get results.

Learned proponents of adhocracy, like Alvin Toffler and Robert Waterman contended that bureaucracy was an organizational structure of the past. And that adhocracy is the organizational structure of the future.

It was like a blinding flash of the obvious. Was our little agency becoming a bureaucracy?

Had we become infected with the GM disease?

Characteristics of an Adhocracy

We began exploring the concept of an adhocracy. And how it might apply to an advertising agency.

Today, Wikipedia defines the characteristics of adhocracy as follows:

• Highly organic structure
• Little formalization of behavior
• Job specialization based on formal training
• A tendency to group the specialists in functional units for housekeeping purposes but to deploy them in small, market-based project teams to do their work
• A reliance on liaison devices to encourage mutual adjustment, the key coordinating mechanism within and between these teams
• Low standardization of procedures, because they stifle innovation
• Roles not clearly defined
• Selective decentralization
• Work organization rests on specialized teams
• Power-shifts to specialized teams
• Horizontal job specialization
• High cost of communications
• Culture based on democratic and non-bureaucratic work
• Ultimately all members of the organization have the authority to make decisions and to take actions affecting the future of the organization
• There is an absence of hierarchy

A Paradigm Shift

The more we dug into it the more profound adhocracy appeared. It represented a fundamental change from the way things were being done within the agency business.

And at its core it raised important questions about just what services advertising agencies provide their clients. And the marketplace value those services deliver.

The Role of Advertising Agencies

From the very beginning, the primary purpose of advertising agencies has been to solve business problems for marketers. That’s what clients hire agencies for. That is the end result they are seeking. The solution to those business based marketing problems is the value they receive.

Agencies do that by changing the behaviors of their client’s customers and prospects in the marketplace. And those behavioral changes are driven by advertising and other forms of market communications that agencies create and implement.

So the value the client receives is the solution to a business problem. A solution that is usually denominated in monetary terms. While agencies generally get paid for just the creation, production and placement of the ads themselves.

And no two of those marketing business problems are ever the same. Each is unique. And so each solution is unique. Each is a one-off custom job.

Mass Production vs. Custom Work

When you stop to think about it, the GM business model was created for mass production. The more of the same thing you produce, the more efficient and effective the model is.

But agencies are not in the mass production business. Or at least they shouldn’t be. Highly efficient factories that can turn out lots of similar ads may appear to offer a beguiling business model. And the one that some agencies appear to have adopted.

But is it a model that best serves the business needs of the client? Has a popular business structure derailed us from the principle purpose of an advertising agency? Have we inadvertently lost our way?

An Agency Adhocracy

Against this background, an agency adhocracy seems to make a lot of sense. Instead of having multiple silos arranged by professional disciplines in which client work is passed around sequentially, an adhocratic agency would have fluid, task specific, teams. Task groups that are formed to address individual unique client business problems and then disbanded once each problem is solved.

Teams would be formed, disbanded and reformed on a continuing basis. And each team would be constituted by different people who would be selected solely on their ability to contribute to the issue at hand. At any give time every person may be serving on multiple teams, each with a different client problem to solve.

Constant change would be an organizational characteristic.

A Continuum

Understand that bureaucracy and adhocracy are at the two ends of a continuum. Each agency is positioned somewhere on that continuum between the two extremes. Few are at the extremes. Most are scattered in between.

No organization can, or should, try to change from one position to another overnight. However, the leadership of every agency should have a good idea of where they are on that continuum, and have a proactive plan for moving the agency in their desired direction.

The Human Factor

Within a bureaucratic organization each person knows, usually in precise detail, the scope of their responsibilities. They know what they can do. And they know what they can’t do. They know their rank. And they know the rank of each of their colleagues. Rules and process seem more important than improvision. It is a tidy world.

On the other hand, adhocracies look like a mess. They have few rules. The objective is simple – solve the client problem at hand. Period.

Don’t worry too much about internal rules or process. Focus on an effective solution. Outcomes matter most. People are measured by their contribution. Not their rank. Or their tenure.

The “I” Shaped Person and the “T” Shaped Person

People who thrive in an adhocracy are different from people who thrive in a bureaucracy.

In a bureaucracy the person shaped like a capital “I” is celebrated. This is a person with a lot of depth but little breadth. One who knows a lot about a little. A person who is increasingly expert at his particular specialty. But has minimal expertise in the disciplines of his colleagues.

These folks work nicely within their silos. And usually have professional aspirations to manage their particular silo.

The “T” shaped person is different. She has a deep core knowledge of one discipline, but also has a generalist’s view of the multiple disciplines needed to solve the client’s problem. That generalist’s view is the top of her “T.” A series of disciplines in which she knows a little about a lot.

So while a “T” shaped person may be a copywriter, she feels quite competent and comfortable making a visual suggestion. Or if she is a media expert she is fully capable of championing a PR idea.

At heart, this is a Renaissance person with generalist aspirations.

A team constituted of “T” shaped people may overlap and bump into each other a bit. Their precise individual responsibilities may be fuzzy. But the team is also more likely to come up with creative, holistic, exciting, effective solutions.

Staffing Challenges

“I” shaped people and “T” shaped people are not interchangeable. A person who functions effectively in a bureaucratic organization may be a complete failure in an adhocracy. And vice versa.

Some people are much more naturally at ease within a highly structured environment. Each knows his place. And his authority. They aren’t required to think much about the big picture. Just do the work and turn in their hours.

What this means is that agency talent in an adhocracy must have all basic discipline skill requirements of the “I” shaped person plus two additional key requirements to be a successful “T” shaped person.

1. They must view their responsibilities much more holistically and become active students of disciplines other than their own. They need a generalist’s overview of the big picture.

2. They must have high self-esteem. They must be confident in discussions outside their primary discipline skills. Able to contribute to the team appropriately. And the ability to handle idea rejection with grace.

The reality is that a lot of effective people in bureaucratic agencies today may never be happy or successful in an adhocratic environment.

Leadership Challenges

On top of all this, bureaucratic organizations are easy to lead and manage. Adhocracies are not. Leading them can be kind of like herding cats.

Movement from a command and control bureaucratic model to a more collegial adhocratic model can be fraught with all kinds of problems.

This is probably why agencies have been so slow to embrace adhocracy. Most agency legacy computer systems are designed to support the bureaucratic silo structure. Agency org charts usually have precise boxes and lines. Lots of agency people have been trained to work in silos. It is all neat, orderly and comfortable.

Managing vs. Mentoring

In fact, pushback in the move from bureaucracy to adhocracy can be strongest among folks who now head discipline silos. Think of their mindset. Most have spent their entire careers moving up the ladder to manage a key function. They may see the change, almost any change, as threatening their rank and authority.

When in reality it is an opportunity to become the key mentor of their discipline. In essence, becoming the evangelist for their special expertise throughout the agency as well as with clients and the general marketplace.

This can be a very difficult transition for them. Some can’t or won’t adapt to this different organization and leadership style.

Why Adhocracy?

At this point you may be asking, “Why would anyone want to trade what we have now for the disruption of an adhocracy?”

Quite simply, because adhocracy works.

1. It focuses, in a laser like way, the entire organization on finding solutions to client business problems. After all, this is the deliverable that clients value the most. That is the business for agencies to be in. And the one that can be most rewarding to the agency in the long run.

2. It is the organizational model used by many of the most exciting and successful new breed of firms entering the creative marketplace. Organizations that are competing with agencies for a place in the client’s inner circle. And threatening to ultimately displace agencies.

3. It has very high appeal to the best and the brightest young talent that agencies desperately need. Like it or not, Millennials will drive the future success of all agencies. Getting them on-board early will be a plus.

4. It is more efficient. Work is almost entirely client task focused with very little time spent on intramural activities. Thus it can make the agency more cost competitive. And boost profits.

A New Day

Clearly, the General Motors model worked great in the 20th Century. And just as clearly it doesn’t look so good in the 21st.

That leads to the ultimate question. Which century is your agency built for?

 

© 2009 Carlton Associates Inc. 

Web: www.CarltonAssociatesInc.com

 

*